Hello! You’ve just stumbled across a clearing in the woods where you may encounter the unexpected… A clearing, where you can meander through droplets and seeds of inspiration and reflection… A clearing where you can take a moment to pause and breathe and come back to your centre…. (yes, right now!). In this blog I will draw from those things …
During a retreat with Sandra Reeve at Coventry University (March 2016), I explored concepts of orientation, location, and direction. I realised that moving for me is an act of locating myself in various conditions and unfolding layers, like a Body Positioning System (BPS). Where am I, in relation to this, and this, and this (inside- outside; concrete-abstract; seen-unseen, past-present-future). My … Continue reading
I love making collages, usually exploring a specific topic that knocks at my door. This can for example be something I want to learn more about, something I’m struggling with, or something I like to celebrate or express gratitude for. I never thought of my collage practice as a process of creating knowledge, or as research … Continue reading
Last week, the imaginary sound of wings flapping on the water transported me to a lake.* My face glowed with the warmth of the sun, although there was not a ray of sunlight in this windowless studio. I felt my body defying gravity as I took off from the water’s surface, playfully patting it in my early flight. … Continue reading
Following on from my dance with freedom and structure, I found myself working with circles and lines. Somehow these symbolised academic linearity versus the creative roundness of the arts. The lines create a sense of purpose, clear vision from here to the future, strong poise of the intellect, efficiently getting from a to b. I do … Continue reading
Last week I danced with the polarities between structure (imposed, sometimes oppressive, but also supportive), and freedom (for wild pioneering but also with the risk of losing your way) within academia… There were 6 or 7 of us in the studio, all engaged in dance research, and each of us following our own movement practice. The … Continue reading
